Saturday, December 8, 2007

Italian Mob take over the Louvre


The mob of people headed to the Italian painting galleries to see her majesty.


The Louvre may be a French museum, but the massive crowds are there to see the Italians. And why not? Long after Marie Antoinette lost her head, there still remains an immortal Queen holding court in this former Royal Palace. And mon dieu, she's not even French! Her name is Lisa del Giocondo, and she has, one could easily argue, the most famous face in the world. I think the Mona Lisa is absolutely incredible, and that she deserves all the attention she commands. Unlike her fellow celebrities over in the New World who get photographed exiting limos whilst knicker-less, or videotaped cavorting with ill-bred commoners; Mona Lisa never loses her poise. And what poise! She shames the crowds who gawk at her, pushing cameras in her face, blasting millions of flashbulbs into her delicately rendered eyes. Through it all she sits calmly, smiling just so, in a way that suggests she has seen more and knows more than we could ever imagine. The kind of knowledge that only immortals know. And in some miraculous way, in spite of the seas of people in front of her, she can communicate with you directly, look into your soul, and give you only as much as you're willing to give her. Skeptics may disagree and instead focus on the size of her canvas, or get annoyed by the crowd's barbaric behaviour, or only look for clues to crack the fictional Da Vinci code (in fact, the Lourve rents out headsets based on the popular novel.) But if you approach her without an agenda, try to see her for what she is - versus the monumental myth built over a lifetime of multi-layered memories of billboards and magazine advertisements - she will not disappoint. In this picture, you can see how some people choose to perpetuate the myth by having their picture taken in front of her, as if they were standing in front of Niagara Falls or above the Grand Canyon. She is similar to these phenomena, in that a photograph cannot do her justice. But, she differs in that unlike the natural world, we actually know her maker: Leonardo (with whom we're on a first name basis), who, over 500 years ago took a brush, some pigments and oil, and created a legend.

15 comments:

Anonymous said...

I wasn't planning to comment on what you said about Mona Lisa -- too perfect -- and yet I can't help but amplify the theme.

You've taken a picture of a woman in red facing her friend's view finder, and the linkeness to ML is obviously not a coincidence. There's a painting I love in Rome by Tiziano (Villa Borghese) called Sacred and Profane Love, a painting of two women embodying the two bookends of life, the alpha and the omega for objects of love (and sources of love?). It came to mind when I saw your Mona Lisa, and woman in red side by each. Some say Tiziano's canvas stood in celebration of both forms of love. Others say that his painting is a moral comment on the superiority of heavenly love.

I'm also thinking of the Coach mannequins with the teeny-tiny surplus buttons and matriarchal purses...and the actor with the space metal sandals...Is it all profane parading as mock sacred. Or is it just a cool aesthetic available for hearty and satisfying consumption (and probably who cares, right?).

Did I mention we are completely snowed under in Toronto this morning Dec16. Now that's both profane and outta of this world, in not such a good way.

Link below to Sacred and Profane Love:

http://www.galleriaborghese.it/borghese/en/eamor.htm

AA

Anonymous said...

Burkovic: We loved getting your Christmas call - but next time - let us know how us sous-b's can call you back! Reading contemporary art books, blogs and mags voraciously and looking forward to your return for further disorientation. Everyone says hi and sends their love.

PP's sposa + DJ Jazzy Julian + Fx + P-man

Rodwellian said...

glad you are back

Anonymous said...

B, Happy New Year, and where are you? We need a blog update; it's high time don't you think?

Though I'm still getting mileage out of your old stuff, like this phrase full of grace: "blasting millions of flashbulbs into her delicately rendered eyes". AA

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